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ROSSLYN CHAPEL: A LEGACY IN STONE

Part Two:

By Dr. Karen Ralls (2003)

The Apprentice Pillar

Stunning in its exquisitely carved beauty, the famous Apprentice Pillar at Rosslyn is associated with much of the historical legacy of the chapel, and is one of three stone pillars believed to represent the concepts of wisdom, strength, and beauty. Its symbolism as a whole represents to some a 'world tree', a fountain of immortality, illustrating the perpetual conflict of the forces of light and darkness. At its base is the "Dread Biter" serpent of the Norse sagas, said to lie at the root of the Yggdrasil world tree, which continuously gnaws away at the forces of darkness and ignorance.

In more modern times, some have attempted to claim that the Apprentice pillar is hollow and may contain a "Grail" hidden within its pillar--specifically, a silver platter. Scans have been done of the pillar and no metal was detected; however, others speculate that the Grail hidden there is not made of metal. Some insist it may be a mummified head of Christ or a simple wooden chalice, yet there is no proof of these theories.

The Apprentice Pillar also has a special Masonic tale associated with it, as explained by the Earl of Rosslyn in the official chapel guidebook:

The Master Mason, having received from the Founder the moder of a pillar of exquisite workmanship and design, hesitated to carry it out until he had been to Rome . . . and seen the original. He went abroad and in his absence an apprentice . . . set to work and carried out the design as it now stands, a perfect marvel of workmanship. The Master Mason on his return, seeing the pillar completed, instead of being delighted at the success of his pupil, was so stung with envy that . . . with rage and passion . . . he struck [the apprentice] with his mallet, killed him on the spot.

The Masonic story of a talented "murdered apprentice" by a jealous master has been told from at least the 17th century at Rosslyn, if not before, and it also refers to another specific carving in the chapel by the same name. This "murdered apprentice" carving may not have been that of an apprentice at all, as in ancient and medieval times only master masons were allowed to sport a full beard, which implies that the original carving at Rosslyn, which surviving evidence shows had a beard, may in fact have been that of a murdered master and not a murdered apprentice.

Much of the genuine message of Rosslyn Chapel is as much about where a specific carving is located and how it relates to what is around it, as about the design of a specific carving. It is often neglected that much of the symbolism at Rosslyn is from the Old or New Testament or is apocryphal-based, or may be pagan iconography--a great variety of symbols are present. At Rosslyn, it does matter if a carving is located on the north wall as opposed to the east wall, or next to one carving and not another, for example. In a sense, Rosslyn can be "read" as a library in stone. If you start in the northeast corner and walk clockwise around the chapel, the Green Men carvings get progressively older, for example, and the Dance of Death carving is closer to the end than the beginning. The great Cycle unfolds . . .

WILL THERE BE AN EXCAVATION?

Theories abound about what material treasures may be hidden at Rosslyn Chapel, speculations that have created a "mythos in the making" about this religious site. In keeping with many medieval family chapels, the founder and a number of his descendants are buried in its vaults; yet, even so, some rather wild speculations continue, which have unfortunately largely detracted from the important architectural legacy of the chapel and the good work of the Sinclair family and Rosslyn Chapel Trust in preserving the building. The question remains: Will the vaults of Rosslyn Chapel ever be excavated?

The Director of Rosslyn Chapel Trust, Mr. Stuart Beattie, was asked about the excavation issue, clarifying:

Due to the Scottish law of the 'Right of Sepulchre', a rather lengthy legal procedure would have to be followed, in order to secure the necessary permission to dig on the church grounds by the authorities. Meanwhile, the focus is on the preservation of the building, and not on excavation, at this time.

James Simpson, architect of the extensive conservation project at Rosslyn, states in his recent contribution to the book that accompanied the 2002 Rosslyn art exhibition at the National Gallery of Scotland:

It may be 2010 before the programme of conservation and development currently envisaged is completed. Fifty or so years of decline will have been followed by thirty years of making up the deficit. Nor will that be the end of the matter; managing and caring for a site like Rosslyn never ends. It is in the very nature of 'heritage' that responsibilities, as well as rights, are passed on from generation to generation . . .

Speculation will undoubtedly continue as the conservation project will not be finished until at least 2010, and any excavation would occur after that at the very earliest.

A LEGACY IN STONE

Over the years various churches, Guilds, the Templars, the Rosicrucians, and the Masons have all recognized something of their own traditions in the complex allegory presented by Rosslyn Chapel--an arcanum, a book in stone.

The Templars, too, have never lost their intrigue or mystery for us today. By exploring the major interrelated topics about this medieval military religious order, historians hope more information will some to light in the coming years. Let us recall, too, in our modern times, one of the Templars' important mottoes--'Carpe Diem!" (Seize the day!).

Karen Ralls, PhD, medieval historian, religious studies scholar, and international lecturer, was Postdoctoral Fellow at the University of Edinburgh for six years before continuing her specialist medieval period research in Oxford, England. A member of the Oxford University Religious Studies Society, the American Academy of Religion (AAR) and the Friends of Christ Church Cathedral, Dr Ralls is the author of The Knights Templar Encyclopedia (2007) and other books, and has an award-winning website www.ancientquest.com

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