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Rosslyn Chapel: A Legacy in Stone


By Dr. Karen Ralls © 2003

Near Edinburgh, Scotland, stands Rosslyn Chapel, one of the most ornately-carved 15th century medieval stone chapels in all of Europe. In more recent times, Rosslyn has become more widely known, as the building and its history were featured in the movie, The Da Vinci Code. Although Rosslyn is officially known as the Collegiate Church of St. Matthew and is today an active Scottish Episcopal church, the chapel retains its special historic legacy for all to see and experience.

In my research, I describe and explain the symbolism of the exquisite medieval carvings in the chapel, from the Green Man to the famed Apprentice Pillar, and explain the key components of its history. Through the centuries, many have thought that there may be the Grail or some other treasure hidden there. But why is this small Scottish chapel so important today? Let us start with the known facts.

SIR WILLIAM ST. CLAIR, FOUNDER

An extraordinary effort in its time, at the end of the late Middle Ages and the beginning of the Renaissance, work on the chapel began in 1446 and was personally overseen by Sir William St. Clair, the third and last St. Clair Prince of Orkney. According to an account written in 1700 by Father Richard Augustine Hay, Canon of St. Genevieve in Paris. Sir William inspected each of the hundreds of images in draft form in wood before giving it to the masons to carve in stone. Fr. Hay refers to various builders and masons as coming from "other regions" and "foreign kingdoms", with France as a good bet.

Although Rosslyn Chapel took nearly 40 years to build, contrary to popular belief, Sir William was not a Knight Templar nor a Freemason. Rosslyn was begun in 1446 -- much later than the dissolution of the Templar order (1312) and much earlier than the official beginnings of Freemasonry (1717), with the establishment of the Grand Lodge of England.

There is no documented historical evidence for a medieval Knights Templar connection with Rosslyn Chapel itself; further, the Templars did not build Rosslyn Chapel. However, not far away, at the nearby village of Temple, still stand the ruins of what was once the genuine headquarters of the Scottish Knights Templar, then called Balandtradoch. So the real Templar connection is not, in fact, at the site of Rosslyn Chapel, it is at the village of Temple, where the ruins of the Scottish preceptory can still be seen today.

THE REFORMATION

Although Rosslyn Chapel was generously endowed by its founder, Sir William St. Clair, and by his grandson, by the time of the tumultous 16th century, the Reformation had a devastating effect on religious sites in Scotland. Many Catholic churches, altars and furnishings were badly damaged or destroyed, and the Rosslyn Chapel, too, fell into disuse. In 1650, Oliver Cromwell's troops attacked nearby Rosslyn Castle; in addition, his troops also housed his horses in nearby Rosslyn Chapel as well. Some believe this may have helped to save the chapel from further destruction, claiming that Cromwell was a Freemason, and that this may have been why he did not order the chapel destroyed. Yet there is no direct evidence that Cromwell was a Freemason, according to the Grand Lodge of England.

In 1688, an angry Protestant mob from Edinburgh and Roslin village pillaged and burnt the castle and further damaged the chapel, which remained abandoned until 1736, when James St. Clair began repairs. Given this turbulent history, we are fortunate indeed to have Rosslyn Chapel in all its glory today.

THE GREEN MAN

The profusion of carved symbolism is extraordinary throughout the chapel, ranging from biblical allegory to pagan symbolism. One of the best-known images is of the Green Man, of which there are at least 103 representations inside the chapel alone, with an additional number on the exterior and roof as well. Art historians have noted that Rosslyn Chapel has the greatest number of Green Man images of any medieval chapel in Europe.

Commonly portrayed as a head with profuse foliage growing from his mouth, the Green Man (and Lady) represent fertility, growth, and the fecundity of nature. The many faces of the Green Man range from joyful to downright impish. Although many assume that the Green Man is mainly a "Celtic" motif, this is not the case. Green Man carvings are also found in ancient eastern temples, in the Apo Kayan area of Borneo, the chapels of Dhankar Gompa in the Himalayas, in the temples of Kathmandu and in the Jain temples of Ranakpur, and in Roman buildings. In short, the Green Man is a universal theme with very early roots.

In the context of Rosslyn chapel, no doubt Sir William was acknowledging the inherent Celtic traditions of the area and the beautiful natural setting of Roslin Glen. It may well be that the chapel is placed precisely where it is because of the surrounding natural environment and the fact that the glen was known to many long before the chapel or castle were built; bronze age artifacts have been found here, and Roman finds involving the possible worship of Mithras, and what many believe to be runic and/or Pictish carvings have also been discovered.

continue to part 2


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